Pentimento.
When Wangji was eighteen he’d walked into the first class of his fall semester painting module and there’d been a boy in a hilariously ugly floppy knit hat sitting cross-legged on the floor at the front of the room. He’d had a sheet of canvas paper taped to his board and his board clamped between his legs and a tackle box of brushes and tubes—a real fishing tackle box, with a fish-shaped logo on it that said BASS, not one of the nice art supply storage boxes they sold in the campus bookstore, like the one Wangji was carrying—open beside him. Everyone else had settled into the rows of stools and easels, but that boy had stayed on the floor for the whole two hour and thirty minute studio. Wangji had looked at him and thought, that idiot’s back is going to hurt.
[Former best friends Lan Wangji, paintings conservator, and Wei Wuxian, art handler, meet again and realize... neither of them were actually in unrequited love.]