love/hate

Chuuya was barely ten years old when he and his single mother lost everything. Only ever knowing poverty, his luck suddenly turns around when Mori, a brilliant doctor and businessman, offers them a place to live, and in exchange he’ll have to be a servant in his mansion. The problem is Mori has a son who is Chuuya’s age, and he’s made it his mission to break the redhead into pieces that could never be put back together. Whether it’s at school or at home, Dazai has conditioned Chuuya to fear him whenever he is around. Dazai's number one rival and another rich boy in the school, Fyodor Dostoyevsky, hates how Dazai treats Chuuya. His kindness has led Chuuya to develop a small crush on Fyodor, but any moments between the two of them are cruelly ripped away by Dazai. Dazai takes matters into his own hands to ensure Chuuya knows exactly who he belongs to. ------ Or, Chuuya ends up in a messy love triangle between his tormentor and savior.

Yoo Joonghyuk, a streamer known as Supreme King, is playing a new game called Three Ways to Survive the Apocalypse, and he can't understand it after only a few hours of playing. A chatter recommends he watches a video by Salvation, who apparently can't properly work a camera, on the associated book's plot to hopefully help him with the game. Kim Dokja, a book reviewer known as Salvation, is planning on making a video based off the game Three Ways to Survive the Apocalypse. A commenter recommends streamer Supreme King, who seems to not care about the game plot or cut scenes, to find out more about the game.

Both hungered for freedom, revenge, power, and unexpectedly, love. But when she rejected her father, Bhaal, and aided Astarion's ascension, his offer of eternity was met with her firm refusal; she refused to be bound to another master. A decade later, a mysterious letter lured her back to Baldur's Gate, tempting her with the allure of power. Returning to the city, she prepared to face the shadows of her past, unsure of what awaited her as she braced herself for the consequences of her past choices.