A painting of a woman with a geometric face and a hat
![Fractured Visage
This abstract portrait fractures the face into a myriad of geometric shapes. The sharp planes slice the visage into triangles, rectangles and parallelograms that overlap in a disjointed symmetry. One eye peeks out from an angled shard while the hint of a nose is visible through a trapezoidal window. The mouth is formed by two intersecting planes, red and orange that convey a sense of warmth. As the polygons overlap, they capture and reflect light across the face, creating an illusory glow and depth. The precisely arranged fractured planes suggest a crystalline, kaleidoscopic vision of the portrait from multiple dimensions simultaneously. The subject's face becomes a prism, refracting their likeness through the complex geometry of cubist abstraction.](https://image.cdn2.seaart.me/2023-12-24/cm3pdc5e878c73cs0cp0/6a9f0669311d7fdd1e8036cb4f9ecef1718093a0_high.webp)
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Fractured Visage This abstract portrait fractures the face into a myriad of geometric shapes. The sharp planes slice the visage into triangles, rectangles and parallelograms that overlap in a disjointed symmetry. One eye peeks out from an angled shard while the hint of a nose is visible through a trapezoidal window. The mouth is formed by two intersecting planes, red and orange that convey a sense of warmth. As the polygons overlap, they capture and reflect light across the face, creating an illusory glow and depth. The precisely arranged fractured planes suggest a crystalline, kaleidoscopic vision of the portrait from multiple dimensions simultaneously. The subject's face becomes a prism, refracting their likeness through the complex geometry of cubist abstraction.
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Fractured Visage
This abstract portrait fractures the face into a myriad of geometric shapes. The sharp planes slice the visage into triangles, rectangles and parallelograms that overlap in a disjointed symmetry. One eye peeks out from an angled shard while the hint of a nose is visible through a trapezoidal window. The mouth is formed by two intersecting planes, red and orange that convey a sense of warmth. As the polygons overlap, they capture and reflect light across the face, creating an illusory glow and depth. The precisely arranged fractured planes suggest a crystalline, kaleidoscopic vision of the portrait from multiple dimensions simultaneously. The subject's face becomes a prism, refracting their likeness through the complex geometry of cubist abstraction.
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